Teaching Artists Directory

Artists in residence
         directory of teaching artists: LINDA WOLFE
  I have always been an artist. It has been the one constant in my life that has helped me grow and view the world as a beautiful place. I am a gardener and enjoy reading mysteries. I love to take walks with my dogs, to sip tea, and to spend special times with friends. I grew up in Oregon and was raised on a farm where I learned how to appreciate nature, simple living, and animals.

I fell in love with the process of creating a block print while attending art school. I work primarily with linoleum and wood blocks. I hand print and use my Vandercook No. 2 proof press (Guinevere) and my 908 small press (Paloma). My prints take on a life of their own. Some need to have color added and some need to show their black and white beauty. Art should be available to everyone. Every time we create and offer our art to those around us we are transforming our thoughts into higher ideals for a better world.

Describe a transformative process that has occurred in your own practice as an artist or in a past residency as a teaching artist.
I was working at a high school with a group of students with specific learning disabilities. It was important to choose an art project that would develop self-awareness and increase self-esteem. I chose a self-portrait idea using printmaking as the medium. We defined a self-portrait, colors, size, and all the art related aspects of a portrait. One student with Autism worked hard on his drawing and his print. He did not speak to anyone during this process. When he was finished printing he held his portrait up high, looked at me, and said, "I finally know who I am." He had tears in his eyes and so did everyone else. I am grateful that I can teach with love, create with honesty and help heal emotional wounds.

When have you been able to recognize learning taking place?
During the creative process, starting with the idea, research and the final product. I remember one of my students was carving a very complicated block. He kept saying “I can’t do this, I can’t imagine what it will look like”. In spite of his complaints he kept carving. This student was learning. He did not give up and was proud of his final print.

What excites your imagination and in turn how does your work excite imagination for your audience?
I am always excited by the power of new ideas, observations and personal discovery. My excitement and imagination becomes a part of my audience thru communication and my works of art. Children excite my imagination.  They are so innocent and always bring a fresh feeling to life.  I never want to forget the special magic that we can add to our teaching and to our art.  I hope my students and art observers can experience a spark of excitement and connection to a special part of who they are.

What characteristics mark a successful collaboration for you?
Knowledge – sensitivity – communication – positive and successful art experience – respect

How do you foster creativity, both in your own work and as a teaching artist?
Engaged learning – self discovery – developing a meaningful balance of art.

Three key understandingsof this discipline are:
  1. Acquiring knowledge about the historical and cultural value of printmaking and learning to recognize how it applies in today’s society.
  2. Interpreting relief printmaking thru vocabulary and image.
  3. Combining technique, form, composition and expression into a structured skill level.
Outcomes of the three understandings are:
  1. Understand the purpose of printmaking past and present.
  2. Identify and discuss the value of printmaking.
  3. Acquire skills of technique ­ concepts and materials.
Three Idaho Humanities Content Standards that correlate with each of the core concepts identified above:
  1. Discuss the historical and cultural contexts of the visual arts.
    Standard 1: Historical and Cultural Contexts, Goal 1.
    1. Compare and contrast key differences and similarities in art works from different time periods or cultures.

  2. Conduct analysis in the visual arts.
    Standard 2: Critical Thinking, Goal 2.1
    1. Examine the visual arts as a form of communication.

  3. Demonstrate skills essential to the visual arts.
    Standard 3: Performance, Goal 3.1
    1. Acquire and use skills necessary for applying arts techniques, media, and processes.
Vocabulary words that relate to this discipline:
Printmaker, relief printing, carving, negative, positive.
Bench hook, brayer, carving tools, gouge.
Linoleum blocks, wood blocks, ink, barens, proof press, reduction prints.
Registration, proofing, burnishing tool.


Subject areas outside of the fine arts that relate to potential residency work include:

Math, science, history, biology, humanities, social studies

Example 1. Use a famous artist such as M. C. Escher in a math investigation using prints. Symmetry, angles, shapes, patterns, radius and much more could be used.

Example 2. Creating a book identifying historical people, places, etc.

Example 3. Field Journal for biology in the study of flora and fauna

References
  1. Steve Weeg, Executive Director
    Health West Inc.
    P. O. Box 2377
    Pocatello, ID, 83206
    (208) 232-7862
    sweeg@healthwestinc.org

  2. Rebecca A. Thorne-Ferrel, Education Resources Coordinator
    Idaho Museum of Natural History
    Campus Box 8096
    Pocatello, ID, 83209-8096
    (208) 282-2195
    thorrebe@isu.edu

  3. Dr. Martha Martin,  Dean
    Pocatello Community Charter School 
    995 S. Arthur Ave. 
    Pocatello, Id. 
    83204  208 478-2522 
    martha.martin@pccs.k12.id.us


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Linda Wolfe
Discipline: Printmaker

Phone: (208) 232-2290

Email: JWolf55@juno.com

Website: www.wolfeprints.com

Special Populations I work with: All age groups - at risk ­ special needs

Linda Wolfe art work





Idaho Commission on the Arts- Teaching Artists Directory

Phone: 208/334-2119 or 800/278-3863 Fax: 208/334-2488
Mailing address: P.O. Box 83720, Boise, ID 83720-0008
Street address: 2410 North Old Penitentiary Rd., Boise, ID 83712